Archive for July, 2009

I don’t read crime fiction. I hate justice.* So I went undercover at the second Crime and Justice festival at the Abbotsford Convent, the brainchild of Reader’s Feast head Mary Dalmau. It’s a little bit smaller than Writers at the Convent, but had a healthy audience for such a young festival. And any excuse to visit the convent is okay in my book. With a greater breadth of guests next year, this festival will be even better. As it was, I had a good time — the other volunteers were lovely, and the volunteer coordinators, Jane and Imogen, were super as always.

International crime fiction writers Linwood Barclay and Scott Frost were in conversation with literary agent Clare Forster. Barclay, apart from the definite distinction of being a ‘two last names’ guy, has written a novel, No Time for Goodbye, which was Richard and Judy’s highest selling novel ever. Look at them coconuts. Scott Frost, once a screenwriter for Twin Peaks and almost screenwriter for The X-Files, is also the author of the Lieutenant Alex Delillo crime novels. Twin Peaks freaks, apparently the extent of David Lynch’s participation in the story process was ‘I want a scene centred around creamed corn.’

Barclay was your classic ‘win ‘em over with self-deprecating anecdotes’ fellow, describing being a writer as ‘being subjected to humiliations you never even knew existed’. The genesis of his novels is ‘the hook’; for example, his novel Too Close to Home was born of the thought: what if the family next door were murdered, and you found out the hit was meant for you?

Louise Adler certainly knows a good story when she sees one. I’m not sure many people could resist the hook of Colin McLaren’s book: Infiltration details McLaren’s experience as an undercover agent in the Griffith mafia. McLaren – tall, expressive, gentle, impressive – first recounted the early days of his career as a young copper on the beat. Policing, like publishing and business, is a relationships game, and McLaren’s complicated cultivation of Melbourne’s great crime families in the 70s and 80s served him well in deep cover with the Italian mafia. These skills, his wits, drugs, a lifelong passion for art and pure dumb luck served McLaren well in the dangerous endeavour. Another man suspected by the Griffith mafia of being a snitch was found with six rounds of bullets through his body.

Jeff Sparrow, incomparably thoughtful on his experience researching his book, Killing, and sometimes blunt: ‘I would say that I did not have a good time.’ Sparrow travelled to meet, among others, people who killed kangaroos for a living, abattoir workers, holocaust deniers and prison execution staff. Sparrow intuited several aspects of the idea of killing that are at first not readily apparent, such as class, complicity and the onus on society to compose the phenomenon of life such that killing is no longer seen as necessary.

Also found out about the Sisters in Crime organisation, which has story competitions and events all year long.

* Not.

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July 16, 2009

Hemingway was a crap spy for the KGB.

A publisher’s total correspondence could be done on Twitter.
Slang and teen vernacular in YA fiction.
Just announced, MWF’s workshops and masterclasses have some stunning guest teachers. MJ Hyland on how to write good fiction, for example.
What are AS Byatt’s books of the year? (via)
This ‘how to get photographed by the Sartorialist’ guide should cheer you up a bit.
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July 15, 2009

From the Productivity Commission’s Research Report regarding the parallel importation of books:

Having considered industry feedback and undertaken further analysis, the Commission is recommending that the PIR provisions be repealed, and that:

– Three years notice should be given to facilitate industry adjustment.
– Current financial assistance for encouraging Australian writing and publishing should be reviewed immediately, and any changes implemented prior to the repeal of the PIRs. The new arrangements should be reviewed after five years.
– To assist in monitoring the impact of these changes, the ABS should undertake a revised version of its 2003-04 industry survey as soon as possible and update it prior to the five year review.

At least they have the grace to say they’re screwing up the industry:

While the Commission judges that the reforms would generate net benefits for Australia as a whole, abolition of the PIRs would — of themselves — cause some contraction or slowing in the growth in the book production industries.

I admit that I don’t know nearly enough about economics to have a proper go. And it’s not for lack of trying. Reading the submissions throughout this process gave me a headache. The two sides were speaking two totally different languages. Perhaps, if the changes go ahead, books will be cheaper, and consumers will be happier. Nevertheless, I do think this decision will be very stressful for Australian writers and publishers. I’m not sure that I understand how making books marginally cheaper for Australians will make Australia better off than funnelling government money into the publishing industry. Six of one, etc. If you get it, please leave me a comment.
Not great for small publishers. Rights selling and investing in new authors will be pretty risky in the proposed environment. And I’m worried about authors, and dismayed at a comment someone left at the Sydney Morning Herald entertainment blog criticising Kate Grenville’s submission to the Productivity Commission. I haven’t read Kate’s submission, but I read a number of the other authors’ submissions, and I think it’s more than fair to let a research body with your livelihood in its hands know what impact their decision will have on your life. I can’t see a health practitioner or, indeed, any other working person (except perhaps economists?) being faced with the same vitriol for expressing analogous thoughts. Well, we’ll see what Rudd thinks.
Of course, I won’t say what I would like to say, because it’s not very genteel to do so, but luckily Text Publishing’s Michael Heyward said it for me: ‘How do you compensate a trainee editor who cannot get a job because the publishing industry has contracted?’ AHEM. Guess it’s back to fruit-picking, or whatever.
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In the style of Autofiction, a review of sorts:

22nd year, Winter
Wow! I’m so annoyed I could die. First, the cover of this book is so exactly like the cover of that old guy Murakami’s books. It’s really so stupid. I don’t know why anyone should fall for such a dumb stunt. Wait, I did. Uu? Anyway, it’s just unbelievable. It’s not the same as Murakami really. It’s not as dreamy as his stuff. My friend Kana would probably do him. She doesn’t care who she spreads her legs for. The main character is so annoying! Have you ever met someone so hysterical as this Rin person? In fact, I think I’m going to coin a new genre of fiction based on this kind of narrative: the simple hysterical present.
At the start of this book is Rin is on a plane with her cute husband Shin. A flight attendant spills some champagne on Shin’s knee, and she wipes it off. Rin gets really angry and jealous. But she’s so in love with Shin! She wishes the plane would fall out of the sky so they could die together. Shin goes off somewhere and Rin starts imagining that he is cheating on her with the flight attendant. How did someone get so crazy?
18th Summer
Okay, so now we’re going back in time. That’s cool, I can understand that. She’s with some loser called Shah who lies to her. But I guess the lies he tells her are not so bad. She gets angry about a lot of things. What a stinker! Why is she so angry all the time? She loves dancing and going to parties but at these parties there’s a lot of sex. She doesn’t seem to question it though, so whatever. In fact she knows she’s cute and that guys want her but that’s the limit of her self-awareness really. Rin’s so micro! I don’t think this book is interested in issues other than personal issues.
16th Summer
Whoa, now she’s with a real asshole who makes Rin support herself by going to pachinko parlours. She’s not allowed to get a real job. I guess you can really see why she’s so screwed up all the time. It’s a bit of an obvious trick but you can still feel sympathetic towards her. Some really bad stuff happens to Rin. It’s sad.
15th Winter
Whoa, another asshole. So I guess Rin has a really bad life. And though she’s annoying you really feel sorry for her. Even if you want her to go away because she’s so crazy. This going-back-in-time structure is pretty good! Even though all the parts that show why she has no self-control are so obvious and the language is a bit stupid sometimes, there are also some parts where you really feel sorry for Rin. Sometimes she is really fun! She seems more together when she is younger.
Okay, I’m going to dance to Non-Stop Techno Adventure now.
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July 10, 2009

We use a lot of sticky notes at my work but they aren’t as cute as these!!!!!!!! (via) Forgive the outburst, it’s just that time of the week.

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July 9, 2009


Only, like, my new favourite website: That’s Punny.

Look at that snub nose: Nick Cave reading from his new book The Death of Bunny Munro. (via)

Werner Herzog has a new book, Conquest of the Useless.

The Times has a new columnist: The Pedant, Oliver Kamm. But can he tell us why the column is filed in the women’s section?
Rhys Tranter has mapped out the chess game moves from Samuel Beckett’s novel Murphy.

A woman who did book design work for the late David Foster Wallace, and later became a friend, has written a tribute.

Submit a mobile phone poem for the Melbourne Writers Festival, you guys.

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This post may positively enthrall those of you who reside in Melbourne, and will probably bore the rest of you to death. (Friends of mine who now live in Senegal, you are in the first category, and will in fact forever be obliged to enjoy everything I write.)

So, Maddie and I have had our proposal for a show on SYN FM approved. It will, naturally, be about books and writing and literary magazines and writers and readers. Yay us, etc. If there’s anything/one/book that you, as a Melbourne-based literary person, would like to hear about, let me know. Raf reminds me that it’s possible for interstate/international friends to listen at SYN’s website. It’s on Saturday from 1 until 2 (pm you guys, though I secretly suspected they might try to give us a graveyard shift). Starts 18th July. Good hangover cure.

Person who visited this blog by searching for “centre for books writing and ideas” job marketing, I am sure you will like this one. I’m going to a friendly meeting with Michael Williams, head of programming at the Centre for Books, Writing and Ideas, and some other bookish bloggers next Thursday. If you have any thoughts, fervent dreams and hopes, etc. about the Centre, feel free to leave a comment and I will endeavour to deliver your views to the Admiral. For example, why don’t they have a website yet? (One, at least, that I can find in the first two Google search pages.)

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