If you’ve scanned The Age‘s ‘M Magazine’ today, you might have seen the ‘My Life as a Blog’ feature by the lovely Natalie Craig. Natalie got in touch with me to chat about 3000 BOOKS. You can read the article here; please enjoy all the ellipses, brought to you by my verbal diarrhea.
Archive for 2012
I did not hesitate at all to buy the latest issue of Meanjin. Three main reasons:
- the cover, which features art by David Lancashire (which I hated at first, but then I realised it was bold, striking, and really different for a literary journal)
- Gillian Mears’ essay on how her new novel, Foal’s Bread, came to be
- Tom Cho’s looong story How can we reconcile the existence of suffering with the premise of a good and almighty God?
and three sub-reasons:
- the usual reasons you buy literary journals: to be surprised and pleased by new discoveries, to enjoy genres that aren’t on high enough rotation in your reading spread (that means you, poetry), to support new and emerging writers, to be informed
- other content that should not feel like it is being slighted in the least by appearing as a ‘sub-reason’, obviously that taxonomy was a mistake (I just love Tom Cho), including memoir by Melanie Joosten; a short ‘Perspectives’ piece by funnywoman Jess McGuire; poetry by Emily Bitto, who has written a couple of great pieces for Killings; a poem by Joe Dolce (yes, that Joe Dolce!); and a great collection of drawings by Oslo Davis completed during a residency at the State Library of Victoria
- a picture of Gillian Mears standing up on the back of a horse.
I ripped right through this issue – except for the first piece, Ewan Morrison’s ‘Why Y Matters: Mapping the Coming Consumption Patterns of Generation Y’, which I originally thought was actually a journalistic enquiry into the coming consumption patterns of Generation Y but turned out to be a satirical essay about the coming consumption patterns of Generation Y. I feel like this has been done before, and I’d actually love to make a bazillion dollars from my fellow Gen Yers, so I felt a bit unsatisfied after reading this.
The two stars here were, of course, the Mears and Cho pieces. This issue of Meanjin was basically a big old entree for my main meal of Mears’ Foal’s Bread, which I read straight afterwards. I challenge you to read her essay, ‘Old Copmanhurst‘, and not want to dive headlong into the novel immediately. The essay begins:
Much exclamation occurs when people realise Foal’s Bread is my first novel in sixteen years. Sixteen years ago I was about to turn thirty-one. From this distance that seems inconceivably young and I was inconceivably bewildered that only horses understood that something horrible had begun to happen in my legs and feet.
My first encounter with Mears was ‘Fairy Death‘, in Heat 24. In that essay, Mears described her experience being photographed by Vincent Long for his ‘Red Balloon Project‘. Having had multiple sclerosis for 15 years by that stage, Mears wrote candidly and beautifully about bodies, sex and memory. Since reading that piece, I’ve had an almost superstitious approach to her writing; I kept an eye out for shorter pieces, but though I’d never read any of her books before, I didn’t want to start from the beginning. I knew the next one would be the one I’d read.
‘Old Copmanhurst’ is another characteristically straight-talking essay that charts the trajectory of Foal’s Bread, from its guilty inception (the idea of the novel needed to be concealed from Mears’ sister Yvonne, who had also writen a novel manuscript involving high-jump horses) to its sprinting eventual birth years later. Again, Mears writes lucidly about memory, the body and her love for horses – a real treat.
As for Tom’s story, I’m not sure I can do it justice. Much of what I enjoy about his fiction is the dry, unfussy approach to dizzily difficult subjects. (His delivery is also sometimes wonderfully bone dry.) Here, he writes about robots in the year 2240 trying to understand the nature and existence of suffering. It’s a great first offering in the ‘Meanjin Papers’ series, which showcases one longer piece per edition.
I have never held much truck with the notion that making content free online (as Meanjin does) will necessarily cannibalise sales of a print product. (Well, we’ll see once I finally get a smartphone.) But the relevant question there is whether the consumer finds value in having spent the coin on said content in any particular format, and I certainly did: there is no question that this is a fine specimen of a print journal – wonderfully curated, beautifully designed and a special kind of immersive experience.
That sound you can hear is the rusty gate of this blog creaking open. Is that a mixed metaphor? I don’t even know anymore. Where am I? Who are you? Who am I?
Just kidding, you guys. My brain is totally intact and I can construct sentences (well, we’ll see). I have also been reading books, contrary to what my silence here might indicate. I have been pretty busy, what with everything – and let’s be honest, no one’s life has been in danger due to my non-updates – but there’s been a development in my life that made me keen to come back here and get to documentin’.
Late last year I got an iPad 2. Since then, I’d estimate that I’ve had a conversation about it with 70% of the people I know. That’s a big percentage. And despite the fact that this is the first post in a series about said device, I’m not really an Extoller of the Pleasures of the Tablet or anything; people are just very interested in them and the future of the book and what have you. Usually other people ask me whether I have an e-reader yet and whether I like it, and why I chose the iPad over other e-readers, etc.
Briefly, I decided on the iPad because I wanted to be able to test all the major reading platforms. I wanted to be able to read on the Kindle, Kobo, Booki.sh and Google Books platforms, to see what they were like. I also wanted the best opportunity to get any book I wanted as an e-book, so I wanted to be able to access e-books in just about any format.
Also, it was an aesthetic thing. I don’t like the look of a lot of the ink readers, even though my initial wish was to get an ink technology reader. They’re just too plasticky and the screens are too small. And finally, I’ve been burnt by non-Apple computer products before. Samsung, I hate you. Sony, I do not like you (mostly, actually, due to this ad). Asus, I really just do not like you very much. My MacBook has lasted six years, which is longer than any other computer I have ever had. I love it, and I trust it. I did not buy the Steve Jobs biography, but I would buy his products.
I have the wi-fi model, not the 3G. I am almost superstitiously weird about not wanting to have internet access at all times. I don’t have a smartphone, either. I bought this tablet pretty much for reading only, so I won’t be commenting on the iPad qua secondary computer or life-organiser or anything like that. (Yes, I realise this is somewhat akin to, I don’t know, buying a ladder so I can sit on the third rung when I’m out of chairs, but I don’t mind.) It’ll pretty much be just about whether I liked reading the book in the X app or on the Y platform. Sorry if this bores you.
Since I acquired my new friend, about 50% of the books I’ve read have been e-books, which has surprised me. I suspect the figure would be higher still if I hadn’t been reading so many review copies that are print books. It’s been an interesting and net positive experience so far. I’m interested to see if my print/electronic book ratio rises much or steadies around the 50% mark.
But I’m getting ahead of myself. Since I’ve had it for a few months now, I’ll just do a quick rundown of the beginning of our beautiful relationship.
***
Zero hour: WOW! I love this box. I love Apple. Even with the gorillas and the … everything. I’m not proud of this. But it’s so shiny. I love it. I just want to get, like, ten iPads and rub them all together. They’re so nice. Look at it all pretty when I turn it on. Ooooooh.
Hour one: What do you mean I need to create a new account for every reading platform I want to use? What do you mean I need to come up with new passwords for all of them? What do you mean the passwords need to include upper case letters, lower case letters, numerals and punctuation marks. Are you kidding me? I can’t even remember my own name sometimes. This sucks. I hate this. Okay, my password is going to be Ih8uiPad:(.
Hour two: Okay, I have passwords. I have apps. I have fingers. I have a credit card. I want to buy a book. Kindle app, you get to go first. What do I want to read…oh, you can get so many free books! Pride and Prejudice! Who cares if I already own three copies? I guess I know how that happened because I’m going to download it onto my iPad right now, I’m going to have four copies, I’m so excited!!! Yayayayayayayayayayay!! Jane Austen is the best!!! I love her so much! Northanger Abbey! That’s the only one I haven’t read. Yayayayayayayayayayay!!! I’m going to read it tonight! I’m going to read it now! Yayayay! Downloading… this is so great. I’m going to get it straight away. What an ugly cover. Oh well, it’s not going on my shelf, who cares.
Hour three: Okay, all downloaded, I’m so excited, I’m going to read this book so bad. Wait…where is it? I just bought it at Amazon and it said it had been sent to my iPad, so where is it? Go back to Amazon and check what it says to do. Yep, I downloaded it. Should be available on my iPad. Back to the Kindle app. Not there. Where is it? This is so annoying. Where is it? Can you refresh this thing? What the hell. What the hell?? I hate this. This doesn’t happen with REAL books. WTF. Where is it. Go back to Amazon. Check what it says to do. Yes, I definitely downloaded it. I hate this iPad. Maybe if I turn it off. That always works. Okay, turn it off. Turn it on. Is it there? … I HATE IPADS.
What? You think I should reinstall the Kindle app? Maybe. Okay.
Hour four: Yayayayayayayay!!! I am going to read Northanger Abbey so bad. Oooooo, changing the fonts is fun. Ooooooo, look at all the ways you can change the page-turning visualisation. Oooooo. Oooo. I love this. I am going to read it in white text on black.
Hour three point five: Ow, my eyes. Change it back to the normal way.
Two days later: I love Jane Austen! I love romantic comedies! I hate Isabella Thorpe! You could just tell she was bad from the beginning! And her brother! I love my iPad! I love Henry Tilney! I love farms! I love my iPad!! I really love my iPad!!!!!
FIN
So, hope you’re going okay. The end of 2011 was just a haze of activity, so excuse the absence. As a prize for sticking around/being good at Google/being a spambot, here’s a post to illustrate my mental declivities during the final months of 2011.
Running commentary on my reading of Madame Bovary:
Page 5: God, I can’t wait until Vronsky shows up.
Page 19: Where’s Vronsky?
Page 45: Where’s Vronsky?
Page 116: Okay, there’s a big party. I bet this is where Vronsky comes in.
Page 125: Where’s Vronsky?
Page 140: I just don’t know how someone with a name like Vronsky is going to show up in this tiny French town. It doesn’t make any sense.
Page 210: This book is practically over, and no Vronsky.
Page 267: OH MY GOD, TOTALLY WRONG BOOK. IT’S LIKE I HAVE NO BRAIN CELLS OR SOMETHING.
End: Pretty good book though.
Some day I shall regret being so open with all of you.
Hope you’ve all had a great year of reading. Looking forward to another.




