Archive for June, 2013

June 24, 2013

Hello! I’m doing a couple of things you might be interested in. If you want to learn more about freelance writing or want to share your nostalgic love of cult film The Craft, scroll down.

Freelance Writing for Print and Online (Writers Victoria)

Wednesdays, 6.30–8.30pm, 10–31 July

Are you keen to become a freelance writer, but not sure how to get started? In Freelance Writing for Print and Online, you will learn how to write reviews and articles, blog posts, opinion pieces and essays for print and online. Edit your writing, explore publication opportunities, develop pitches, build a writer’s toolkit and promote yourself and your work. In this course, you’ll craft editor-ready pitches and have the opportunity to prepare a publishable piece.

Taught by me!

Book online now using the fast, secure TryBooking service.

The Witching Hour: Remembering The Craft

On July 4 1996, a little movie called The Craft was released in Australia, cementing witchy bonding and black rags as staples of Gen Y teen life.

We’ve asked some of our favourite Melbourne writers to wax nostalgic on the film that made us all obsessed with black lipstick, floating above the ground and walking in groups of four. Our guests will be:

Rebecca Harkins-Cross (film editor, The Big Issue; theatre critic, The Age)

Ronnie Scott (contributor, The Believer, Meanjin, the Australian, ABC Radio National, and Lucky Peach; founder of The Lifted Brow, a freeform arts, culture, fiction magazine)

Bethanie Blanchard (freelance writer and critic; literary blogger for Crikey with Liticism)

Zora Sanders (Editor, Meanjin)

AND MORE!

Join as we talk spells, teenage friendships, questionable fashion choices, hysteria and Neve Campbell. COSTUMES ENCOURAGED.

Hosted by Stephanie Van Schilt and Estelle Tang.

Thursday July 25
7-9pm (Kitchen open 6-10)
Gasometer Hotel
cnr Smith St & Alexandra Pde
Collingwood
$8 online pre-sale / $10 on the door

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I have been quite annoying lately, telling everyone little factoids I picked up from this book. Did you know alcohol is a carcinogen? Did you know the recommended average number of standard drinks you should have per day is two? And no more than four in any one sitting? I’m great company. But I was very impressed by this book: it’s Age journalist Jill Stark’s account of a year spent sober, after one toxic hangover too many. And it wasn’t just hangovers she was suffering; the panic attacks and memory gaps Stark experienced were increasing in their frequency and severity. So she decided it was time for three months off the booze, an experiment that morphed into the full year’s experience.

Stark is articulate and curious, which is to be expected from a journalist – a journalist, no less, whose expertise is, ironically, reporting on Australia’s booze-soaked culture. This book is readable and interesting, with Stark’s personal journey making the necessary facts and figures digestible, but it’s also savvy publishing. At a time when Australians are drinking a lot, and starting early in their lives, this book ticks the feature-writer’s ‘interesting to everyone’ box. When discussing High Sobriety with friends, I’d mention the trouble Stark had fending off well-meaning friends’ insistence that she have a drink at celebrations, or the discomfort others would have around her when they were drinking, and everyone would nod in recognition. Though abstaining from alcohol for a year is a social and psychological feat that many wouldn’t consider possible in their own lives, the Australian cultural bias towards drinking would be recognisable for most. How you take a bottle of wine to dinner, without fail. How you have a beer after knocking off work any night of the week. How you have a glass of champers when a friend turns 29. A friend’s book launch. A bad fight with your brother. How anything, and everything, is an excuse to have a glass or four.

The book is split into chapters reflecting each month of Stark’s sober year, but each chapter also takes a different focus, whether it’s the similarities between the drinking cultures of Scotland and Australia (Stark is Scottish), the medical issues facing heavy drinkers, Stark’s search for love while sober, and the interesting role of drinking in the blokey world of journalism (for one thing, Stark describes a drinking game called ‘ottering’ that is enough to keep you off the sauce for a while). The honest and well-researched account makes it easy – even imperative – for a reader to consider her own drinking life.

For example, here’s an account of my drinking in the week after I finished reading High Sobriety.

Sunday: Share a longneck of alcoholic ginger beer that I bought a food and wine expo the week before. Though my share’s less than a standard drink, I have it before dinner and, before long, my head is spinning. I am writing, and when I look over my work the next day, it seems I temporarily forgot how to use full stops or, indeed, any punctuation at all.

Monday: It’s a public holiday, but no drinking. I’m determined not to have had a drink every day of the long weekend.

Tuesday: A board meeting. It’s going to be my final one, so I have one-and-a-half glasses of wine. Usually I’d have two, but – High Sobriety. It’s hard not to keep going, but I am proud of my restraint. It’s the first time I’ve put a hand over my glass in a long while. But then I end up having dinner with a friend who’s also on the board, instead of the bachelorette dinner at home I’d planned. Dinner is a friend’s birthday celebration, so I have another glass of wine.

Wednesday: I catch up with a writer I know. I am having dinner with my boyfriend’s boss and his family later, so I intend not to drink anything. But she offers to buy me a drink and I hesitate, unsure whether she will accept my refusal. Instead, I go to the bar and buy myself a vodka with soda water. At dinner, I have two glasses of very delicious Shiraz. I don’t intend to have any more than that, but when there is a glass and a half left in each of the two bottles remaining on the table at the end of the night, Sam’s boss asks me if I can ‘help out’ so the wine won’t go to waste. I say yes – another half glass.

Thursday: A glass of red at a pub with colleagues. Our plans to have Korean for dinner are set aside when we realise trivia’s on in the next room (and it’s raining). Two more bottles of wine are purchased, but I only have one more glass.

Friday: No more fucking drinking, thanks. My housemate offers me some pinot noir, but I say no, a halo appearing above my head. My only evening plans are to go to the gym and read my book. I don’t go to the gym. I succeed in reading about forty pages of my book, but not before pouring myself a half nip of Lagavulin. I don’t drink it, though – I fall asleep at 8:30pm.

Saturday: Movie night at our house. I plan to have no more than one mixed drink and one beer. We’re watching The BIg Lebowski so my housemate is making White Russians. I ask for a tiny one – I don’t like milk – and he obliges. I have a couple of sips and leave it – it’s gross. The dude doesn’t abide. I have one beer during the movie.

According to the new national guidelines for alcohol consumption, I’ve probably had just on the recommended amount throughout the week, and I don’t think I’ve had more than four standard drinks in any sitting. I’ve had two alcohol-free days, also recommended, but only because a) I really thought about it and wanted to achieve it, and b) I fell asleep. The thing that surprises me about this little journal is how much I had to advert to my alcohol consumption to get anywhere close to adhering to the guidelines. Although this is probably a more social week than most, I know I could easily have had three or four more drinks on top of what I did have.

High Sobriety is a book so thought-provoking that it may well do for drinking what Jonathan Safran Foer’s Eating Animals did for eating meat. (Lots of people I know have already said they don’t want to read it for that reason.) I’m not yet going booze free, and I doubt I ever will, but it’s good to know that I’m armed with the knowledge to drink as healthfully as I can.

Bonus points: Also good is Steph Van Schilt’s review of the book at Liticism.