Posts Tagged ‘jonathan safran foer’


How I felt about Extremely Loud & Incredibly Close by Jonathan Safran Foer, somewhat in the style of said book:

This is a book I didn’t read for a long time, because sometimes it gives me extremely heavy boots thinking about books that lots of other people have read and I haven’t read yet, and on top of that, it’s a book about a so, so sad thing in recent Western history that is very confusing and distressing. Anyway, I finally got around to reading it, and I really liked it, and it definitely wasn’t shiitake like I was scared it would be. Actually, you need a big place inside you to store this book. That’s how much I liked it.

This is a book about a boy called Oskar Schell, who is extremely clever and endearing — that is, if you like smart kids who have no friends — and whose family has suffered a lot, including when Oskar’s father died when the planes crashed into the World Trade Center. One day, Oskar finds a key in an envelope that has BLACK written on it, and this makes him EXTREMELY DEPRESSED VERY EXCITED INCREDIBLY DETERMINED, since he thinks it has something to do with his dad. So he tries to find out which of the 162 million locks in New York City the key opens, and along the way he meets people like Mr. Black, who was born on January 1, 1901, and has a bibliographical index with cards and a one-word biography (“Henry Kissinger: war!” “Tom Cruise: money!”) for tens of thousands of people.

Another thing that Jonathan Safran Foer does with this book is talk about the impulse of documentation that comes from love, and how it helps people process things and also, how much people love words and pictures. It’s also about doing things even though they hurt us. Oskar has a scrapbook titled Stuff That Happened to Me and it looks like this:

(These pictures aren’t from the book; I got them from here, here, here.)

Oskar’s grandfather can’t speak and he has to also write a lot, and he has plenty of notebooks that have just one word or phrase on them, like this:

help

And sometimes Jonathan Safran Foer uses other ways of showing how heavy people’s boots can get by doing things with words and how they sit on the page that are different to what other people usually do in books. Like sometimes he does this thing with kerning that I can’t figure out how to do with html. And sometimes he does things like lots of space to you can tell or what’s going on. (Okay, it turns out I can’t make bigger than a regular word space in html either. Who knew?) Sometimes I wished the author wouldn’t do all these things, but other times I really didn’t mind. There’s a really good couple of pages about testing pens. That made me feel okay for some reason.

One thing that was weird was that Oskar gets a letter from Stephen Hawking, which I’m pretty sure would never happen. What about how busy he gets? What about the fact that he probably wouldn’t really have time to read all the letters a little kid sends him? What about the time that even if he read all the letters sent to him by the kid, he wouldn’t have time to send a letter back? I just googled “getting a letter from Stephen Hawking” and there were no results, so I don’t think anyone has ever received a response from a fan letter to Stephen Hawking, and I guess if anyone ever googles that again, they’ll just get my blog. José!

I guess the final thing I want to say about this book is that the father in it, and the son actually too, are two of my favourite characters in a book I’ve read all year. And this book is a really beautiful way of saying: ‘I love you and I want you to be safe’ to fathers and sons and mothers and daughters like Oskar and his dad and mother and grandmother.

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